春的感謝祭
曲目列表:
01. 悲しき蒼穹を翔ける
02. TO MAKE THE END OF BATTLE
03. 翼を持った少年
04. MIGHTY OBSTACLE ～The Wind of Zemeth
05. INNOCENT PRIMEVAL BREAKER GAME VERSION
06. LEGEND OF THE FIVE GREAT DRAGONS
07. 幻の大地セルペンティナ
08. Ending2
09. そして新たなる道へ
10. 銀の意志 金の翼
11. 星の在り処
12. Cry for me, Cry for you
13. D.A.Y.BREAK Opening ver.
14. Inevitable Struggle
15. way of life
16. #0059
17. #0082
18. #0019
19. #0277
the rite of spring This thesis aims at studing the non-tradition rhythm of The Rite of spring which is one of the most important works composed by Stravinsky who is a famous russia contemporary music composer in his forepart.
本文著眼于對俄羅斯現(xiàn)代音樂大師斯特拉文斯基早期代表作之一《春之祭》中“非傳統(tǒng)節(jié)奏手法”的研究。
短句來源
“《春之祭》”譯為未確定詞的雙語例句
Analysis of and Comments on the Creative Technique and Artistic Characteristics of “Sacrifice to Spring”
斯特拉文斯基《春之祭》的創(chuàng)新手法與藝術(shù)特色
短句來源
On Appraciation of the Modernistic Music
從《春之祭》的創(chuàng)作談高師音樂欣賞課教學(xué)
短句來源
While demonstrating the character of rhythm, the tractate arguments the effect on both the Chinese contemporary music and the west by contrasting. ,which purpose is to advise the craft brother to attach importance to the rhythm in the contemporary music,and to provide theory for the perform and justice about contemporary music.
文章在詳盡地論證其節(jié)奏本體特征的同時，還采用比較研究的方法專述了《春之祭》的節(jié)奏手法對中西現(xiàn)代音樂創(chuàng)作所產(chǎn)生的深遠影響，其目的在于引起業(yè)內(nèi)人士對現(xiàn)代音樂中“節(jié)奏要素”的重視，進而為現(xiàn)代音樂的表演與欣賞提供必要的理論準(zhǔn)備。 全文主體部分為四章：
短句來源
On the microcosmic side, the way we discucontain things such as the non-tradition normal beat, the varing beat and the imperiod beat, thepusle rate being in stead of the beat, the rhythm cell,the add notes and so on.
本章對《春之祭》的“節(jié)奏本體特征”在微觀與宏觀兩個層面進行了論述。 在微觀上，論及的非傳統(tǒng)節(jié)奏手法有：非傳統(tǒng)概念的常規(guī)節(jié)拍、變拍子與非周期棍合拍子、以脈動率代替節(jié)拍、運用節(jié)奏單元、附加音符等;
短句來源
There are four reasons about the origin which are the influence of the russia folk song, the influence of the Eourp music in early time especially in middle ages, the influence of the Isorthythmic motet, andthe influence of the grand old man.
本章從“比較”的角度出發(fā)，旨在理清《春之祭》中非傳統(tǒng)節(jié)奏手法的.“來龍去脈”：首先對《春之祭》的非傳統(tǒng)節(jié)奏手法進行了一番溯源，內(nèi)容有“俄羅斯民間音樂結(jié)構(gòu)的影響、歐洲早期節(jié)奏體系的影響、等節(jié)奏經(jīng)-文歌的影響、前輩作曲家的影響”。
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