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電影盜夢空間的英語觀后感
電影《盜夢空間》自上映以來獲得觀影人群的巨大歡迎，無論在票房還是口碑皆取得了巨大成功。百分網(wǎng)小編給大家整理了盜夢空間英語觀后感，僅供參考。
盜夢空間英語觀后感篇一
Can you imagine a city twisting and turning in front of you? Have you ever seen a large train roaring down the street, crashing in to cars and buses? “These can only happen in my dream” you may say. Indeed, the movie Inception brought you and me into a land of dreams. Everything in the movie was not only about some showy special effects but also about some forms of philosophical truths that had philosophers debate for thousands of years: “The nature of dreams and their depth”.
Water flooding into the weird looking traditional Japanese palace, people floating up in the air while shooting each other and staircases leading you endlessly to your starting point, all seemed like ideas coming out of a mad house or from any human dream.
It’s difficult to imagine how our dear old Freud may feel if he were to discover that some his theories, notably how would ego behave in an environment freed from judgments, were labelled “Made in Hollywood” and were being shown under the crispy sound of chewing popcorns. The movie Inception itself, like the famous Escher’s staircase, incepts impossibility under the possibility, or the common sense.
Cobb, the main character, is a skilful thief. He is not those pick pockets interested in mobile phones or wallets, but a professional ‘dream maker.’ He steals information and uncovers all kinds of secrets from people by getting into their dreams and reading their sub conscious mind. In the movie, Cobb was hired by a Japanese energy bigwig, Saito, to try to make Fischer the junior, the boss of another large company, to believe that his father, the previous boss, wanted him to give up competing with Saito, simply by incepting a thought through Fischer’s dream.
It’s difficult to tell the difference between real life and dream, because real life is just another form of dream, and dream is simply an image of real life. The dream-making team used this very theory to break into Fischer’s brain and make him believe in something without raising any suspicion. However this technique, apart from being Cobb’s saviour, was also the very reason why Cobb’s wife committed suicide several years ago.
The movie is voluntarily creating confusion at this point. Not only can’t Fischer tell the dream and real world apart but also the audience suddenly finds out that a terribly bewildering maze has been set and that no one is to be able to get out. At the end of the movie, the director left a big question mark in my head. “Will that top stop spinning?”
My answer is, it will stop and continue spinning at the same time. Remember Cobb’s talk with Ariadne? He said that when you are in a dream, you will not be able to recall the very beginning of the dream.
Let’s focus on the beginning of the movie. Cobb woke up on a beach near the Japanese palace. That place appeared again after Cobb was killed in the dream and fell in to the ‘Limbo’ in the last part. This was a perfect Escher’s staircase! There’s no beginning, because the beginning was an ending itself. We don’t know how Cobb began his life of making dreams, because the movie simply did not explain why. Then, the shocking fact revealed to us: The entire story could be a dream itself!
Then, you may ask, how can the top stop spinning if everything is a dream? Don't forget the fourth dimension: Time. Although we may get to the same point again and again on the Escher’s staircase, that so-called “same point” only means two points sharing the same location, or in other words, the three dimension numbers. We are ignoring the fourth one, as the time we get to these two points are different. This can make great difference. The top can do different things, for time can help it exist in the same place, in the same situation but in DIFFERENT TIMES! It is like a street crossing, different thing could happen when you choose a different way.
These might be a bit confusing. Let’s get to a much simpler explanation. If you read the actors’ names at the back of the movie, you will find out something. There are four people acting in the roles of Cobb’s children. Two of them are three years old and the other two are five years old. You see, it’s still time playing tricks on us.
盜夢空間英語觀后感篇二
In a not-too-distant future, no one’s secrets are safe, not even those buried in the deepest recesses of their minds: High-tech“extraction” technology allows teams of spies-for-hire to manipulate the dreams of others, creeping around their thoughts and riffling through their subconscious minds. Dominic Cobb (Leonardo DiCaprio) is the best in the business—good enough that even former victims like corporate hotshot Saito (Ken Watanabe) turn to him when they need someone to do the impossible.
Saito is in a position to offer Cobb the one thing he wants most in the world: a way home. Saito’s connections can erase the murder charge that forced Cobb to flee his country and abandon his children to the care of their grandfather (Michael Caine), and all he has to do in return is get inside the head of Richard Fischhttp://www.wenku1.comer (Cillian Murphy), heir to a multinational empire, and plant the idea to dismantle it so deep that Fischer will believe he thought of it all by himself.
Conventional wisdom has it that mental capital only flows one way: You can dig it out, but you can’t sneak it in. Cobb knows otherwise and assembles a team willing to do the mindwarp with him: chameleon Eames (Tom Hardy), who can assume any identity within a dream; chemist Yusuf (Dileep Rao), whose concoctions facilitate deep, prolonged sleep; architect Ariadne (Ellen Page), who imagines every physical detail of the dream world; and point-man Arthur (Joseph Gordon-Levitt), who sweats whatever details need sweating.
The only newbie in the bunch, Ariadne quickly realizes what the others don’t: that the persistent dream presence of Cobb’s late wife, Mal (Marion Cotillard)—whom he was accused of killing—isn’t just a pesky sign of lingering grief. It’s a giant, flashing-neon warning that Cobb is on the fast track to a full-blown mental meltdown.
By their nature, rubber-reality movies walk a thin line between clever and stupid. But when they work, the balancing act is breathtaking: Just think back to 1999, when The Matrix had fanboys, mall rats and cineastes alike lined up for a tumble down the rabbit hole. Inception owes both The Matrix and the all-but-forgotten Dreamscape(1984), in which a psychic is unwittingly drawn into a plot to assassinate the President of the United States in his dreams, a debt of imagination. But writer-director Christopher Nolan is much more than a crass recycler of other people’s cool ideas, and his greatest strength is the ability to tether pop-culture spectacle to authentic emotions.
If Inception were all spectacle, it would be nothing more than magic trick of the month: nifty but disposable, at the mercy of smart alecks eager to reveal the cogs and wheels behind the illusion. But while one day soon the eye-popping effects will inevitably look dated, Cobb’s misery—a messy mix of grief, guilt, denial and resentment—will continue to feel painfully real. Whether or not history validates comparisons to Stanley Kubrick’s 2001: A Space Odyssey, Inception is a superior summer movie, one with heart and brains and loads of razzle-dazzle.
盜夢空間英語觀后感篇三
Today I’d like to talk about a science fiction film called Inception,which is quite popular .In deed,I think many people have seen it ,even saw it many times.
First, let’s me introduce something about the movie.
In this world, against what he had, there is a very strange title - Pirates of the dreamer.His specialty skills, is sneaking into others dreams, the subconscious steal valuable information and secrets.A rare skill, and soon made him the coveted corporate espionage industry's highly paid object.However, it has also lost his beloved wife for Moore, exile.Because the pain has long been widowed and find themselves unable to Cobb mental torture, finally got the last chance of redemption. Saito,Extremely wealthy,employment Cobb secret deal with their future competitors Fisher - implanted in his mind a thought.
No doubt, both from a technical or from the difficulty, it must be a perfect crime.
The film shows us a different world of science, in-depth analysis of a team to steal a dream.
I have to say it’s really an amazing film.It’s not only the success of Nolan but also for the screenwriters and directors. Because this film made so many guys begin to think deeply and they found happiness doing this and feel satisfied when got some consequence.The most wonderful film I think is what can make your idea free.For this film I got this feeling,I tried to understand the inner meaning by thinking reapeatly in many quite different ways.At last I got a clear understanding and felt I’ve just experienced a long and happy journey.
In the helicopter Saito promised Cobb help him go back home after the task.But when he got into the limbo,he gradually lost his consciousness just like Cobb before.He failed to fulfill his promise and got older in regret.On the contrary Cobb gave the teammates and Saito the most full trust.He take a leap of faith in the circumstances of quite uncertainty and finish the task. He also went to limbo and gave him a chance to go back together to honor the agreement and restart as young men.In the end everyone woke up in the plane,Cobb finished the task and Saito fulfilled his promise to make Cobb’s family reunion.
By means of this task Cobb and Saito both got the importance of trusting each other and save each other from their regres and finally get new life.
So what I think the greatest value of this film is to tell us we should be honest to the choice of our deep mind no matter what forces you to change .The only way to be without regrets even when you get old is not to deceive yourself now.
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盜夢空間英語觀后感篇四
Inception, which is directed by Christopher Nolan, is a combination of science fiction, romance and action movie. The two key words in the movie are extraction and inception, which are totally opposite. Extraction means extracting some important information from the subject’s unconsciousness when he’s dreaming. While inception means incepting a new idea to the subject, and make the idea deeply rooted in the subject’s mind. Though our hero, Dominic Cobb, acted by Leonardo DiCaprio, is an extractor, this time, he will try to be an inceptor. And if he succeeds he’ll be able to go back to his children.
At the beginning of the movie, Cobb and his extracting group were on an extraction mission in the mind of Saito, using a two-layered dream, which means ‘a dream in a dream’. In the first layer, they were in a secret apartment; and in the second layer, they were somewhere like an assembly hall. While in reality, they were on a train, sleeping. There is a rule in the dream world that if someone died in the dream, he would be back to the upper layer or to the reality. Cobb’s wife Mal showed up in the dream and destroyed his mission. ‘Everyone for himself’ was what Cobb said to his group. Actually, Mal who had already dead was only a projection of Cobb.
Cobb usually uses a top to tell reality from dream. If it is a dream, the top won’t stop spinning when spun.
Later, Cobb was offered a job by Saito to incept an idea to the son of Saito’s competitor, who would soon inherit the control of his father’s corporation, and if he succeeded Saito would help him to go home. Unable to see his children for some reason he himself couldn’t fix, Cobb accepted.
He reconstructed his group and made up the plan: they’d build a three-layered dream, and the first layer would be a city, the second layer a hotel, and the third layer a hospital near a snow mountain. In reality, they were in the first class cabin of a 747. With the group’s joint effort, finally they succeeded and Cobb came back home, with his children. He spun his top again, but it isn’t clear that whether the top would stop or not in the movie.
After watching this movie, what impressed me most are the dialogues. They reflect something about dreams, life, faith, love, and so on. I’d like to share my thoughts of some lines.
盜夢空間中文觀后感篇一
第一次看的時(shí)候看不懂開頭和結(jié)尾，給我的感覺就是分不清楚夢和現(xiàn)實(shí)，整個(gè)過程都帶著這樣的感覺看完的。第二次再看的時(shí)候潛意識直接屏蔽了，從開始到結(jié)束都沒有任何感覺。
我現(xiàn)在突然明白，我是在防御自己看懂，害怕看清楚自己原來就是活在想象和現(xiàn)實(shí)分不清楚的狀態(tài)里。電影主人公高比每次進(jìn)去夢境中遇到妻子和孩子的時(shí)候都分不清楚自己是在夢里還是現(xiàn)實(shí)里，因?yàn)樗聊缭谂c妻子相遇的美好感覺里，還因?yàn)閷ζ拮又踩胂敕ǘ斐善拮幼詈笮褋砗髩艉同F(xiàn)實(shí)分不清楚選擇自殺。他不能面對自己痛苦，也不愿意承認(rèn)妻子離開的事實(shí)，活在自責(zé)里不能自拔。讓我想到我小時(shí)候受的傷，因?yàn)槟赣H對我的傷害和指責(zé)，讓我害怕與人親近，所以學(xué)會了屏蔽各種感覺，讓自己貌似很冷漠。這個(gè)模式最后變成了我的潛意識，支配著我以后的為人處事，哪怕意識層面里想要與人親近，但是潛意識卻在破壞這種關(guān)系，就像梅西每次都在關(guān)鍵時(shí)刻出來破壞他的行動(dòng)，破壞他想回家的愿望。高比為了孩子，為了回家，勇敢的面對自己的內(nèi)疚和自責(zé)，特別在那個(gè)小丫頭造夢師的幫助下，推動(dòng)了他不得不面對自己的問題，最終戰(zhàn)勝了自己，回到孩子們的生活里。
而回到我自己，從開始接觸精神分析理論的懵懂狀態(tài)，一點(diǎn)點(diǎn)的在團(tuán)體里看到別人的問題，再回到自己身上，發(fā)現(xiàn)自己原來都不知道的自己，用精神分析專業(yè)術(shù)語就是發(fā)現(xiàn)自己的潛意識，我一直以為我們做什么，遇到什么人，發(fā)生什么事都是我們意識范圍可控下發(fā)生的，當(dāng)我發(fā)現(xiàn)自己其實(shí)在潛意識狀態(tài)下支配自己時(shí)第一次非常的震驚。我不能接受自己不好的一面，不能接受那些壞的結(jié)果都是我潛意識干的'。我以為都是別人的錯(cuò)，我一直活在過去被傷害的感覺里，以為全世界的人都對不起我。這個(gè)發(fā)現(xiàn)曾經(jīng)讓我痛苦不堪，痛讓我也清醒，我不愿意活在過去的陰影里，不愿意活得稀里糊涂，日復(fù)一日。用我自己說的話就是，如果一成不變的生活，三十年后死和現(xiàn)在死沒有任何區(qū)別。所以我決定不再讓自己活在想象和現(xiàn)實(shí)分不清的狀態(tài)里，希望自己活得通透，活得明白，活得自由，活在當(dāng)下。分析電影，分析人生，分析自己，因?yàn)槿松鐟颉?/p>
盜夢空間中文觀后感篇二
《盜夢空間》我在上映的時(shí)候看過，在電影院，剛開始對這個(gè)電影題材特別感興趣，覺得有意思。但是在我看到年輕女孩初次造夢時(shí)空間位置奇妙變換時(shí)，心里非常恐懼異常緊張，閉上眼睛心里就告訴自己沒有關(guān)系這是電影而已，不是真實(shí)的，一會就過去了。但是后來回想那種感覺仍記得很深。
經(jīng)過今年不斷接觸和學(xué)習(xí)心理學(xué)，現(xiàn)在有點(diǎn)想明白原因了，是自己一定要通過一種確定性概念化的東西來獲得內(nèi)心的安全感。凡是外在的不斷變化不固定的或無法預(yù)知未來的'東西都會使我在潛意識里感覺恐懼，感覺絕望，感覺無能為力。寫出來這些感覺突然就有想哭的沖動(dòng)，很委屈，很心疼自己。是自己從小就未從父母那里得到過足夠的穩(wěn)定感安全感和自我存在感價(jià)值感，所以雖然對人際關(guān)系很在意很渴望卻知道自己沒有能力去靠近別人，始終會保持一定的距離。在上周第二次看電影的時(shí)候很高興看懂了所有的情節(jié)，得到了心里期待的完美的結(jié)局，但是卻對里面男主人公的一段內(nèi)心獨(dú)白念念不忘，它讓我心情沉重、傷感：當(dāng)一個(gè)已經(jīng)蒼老的靈魂重新回到一個(gè)年輕的身體中時(shí)，他怎么去判斷這是真的現(xiàn)實(shí)還是另一個(gè)夢境呢?這段獨(dú)白讓我覺得特別難受，我特別理解他妻子的做法，因?yàn)橐呀?jīng)感受不到真實(shí)的自己，活著又有什么意義?我不知道我自己心里是不是藏了太久太多痛的感覺，所以在平時(shí)會多愁善感，容易悲傷，只是大多時(shí)候愿意展現(xiàn)給別人的是自己的積極與努力。我潛意識里也想通過給別人展現(xiàn)的積極正向力量也能反過來感染我自己，給我勇氣和力量!
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