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雅思考試聽(tīng)力輔導(dǎo)訓(xùn)練試題

時(shí)間:2024-05-13 08:12:14 試題 我要投稿
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2017年雅思考試聽(tīng)力輔導(dǎo)訓(xùn)練試題

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2017年雅思考試聽(tīng)力輔導(dǎo)訓(xùn)練試題

  Hi, Joanna, good to meet you.

  你好,Joanna,很高興見(jiàn)到你。

  Now, before we discuss your new research project,

  在我們討論你的新研究項(xiàng)目之前,

  I'd like to hear something about the psychologystudy you did last year for your Master's degree.

  我想聽(tīng)一聽(tīng)你去年讀碩士的時(shí)候做過(guò)的心理學(xué)研究。

  So how did you choose your subjects for that?

  你當(dāng)時(shí)是怎么選擇的研究對(duì)象?

  Well, I had six subjects, all professional musicians,and all female.

  我有六個(gè)研究對(duì)象,全都是專業(yè)的音樂(lè)家,而且都是女性。

  Three were violinists and there was also a cello player and a pianist and a flute player.

  其中三位是小提琴家,還有一位大提琴演奏家,一位鋼琴家和一位長(zhǎng)笛演奏家。

  They were all very highly regarded in the music world and they'd done quite extensive tours indifferent continents,

  她們?cè)谝魳?lè)界聲望都很高,而且在不同大洲還做過(guò)大量的巡回演出,

  and quite a few had won prizes and competitions as well.

  她們中不少還贏過(guò)一些獎(jiǎng)項(xiàng)和比賽。

  And they were quite young, weren't they?

  而且她們還都相當(dāng)年輕,對(duì)吧?

  Yes, between 25 and 29 — the mean was 27.8.

  是的,都在25-29歲之間,平均年齡是27.8。

  I wasn't specifically looking for artists who'd produced recordings

  我本來(lái)并沒(méi)有一定要找出過(guò)專輯的藝術(shù)家,

  but this is something that's just taken for granted these days and they all had.

  但是最近這件事直接被當(dāng)成理所當(dāng)然的了,而且她們?nèi)汲鲞^(guò)專輯。

  Right. Now you collected your data through telephone interviews, didn't you?

  好吧,你是通過(guò)電話采訪收集的資料,對(duì)嗎?

  Yes. I realised if I was going to interview leading musicians it'd only be possible over the phonebecause they're so busy.

  是的,我知道如果要采訪這些重要的音樂(lè)家的話,就只能通過(guò)電話才有可能了,因?yàn)樗齻兌继貏e忙。

  I recorded them using a telephone recording adaptor.

  我用一個(gè)電話錄音轉(zhuǎn)接器把跟她們的談話內(nèi)容錄了下來(lái)。

  I'd been worried about the quality, but it worked out all right.

  我之前一直擔(dān)心錄音的音質(zhì),不過(guò)結(jié)果發(fā)現(xiàn)還不錯(cuò)。

  I managed at least a 30-minute interview with each subject, sometimes longer.

  我設(shè)法和每位研究對(duì)象進(jìn)行了一段至少30分鐘的采訪,有的時(shí)間更長(zhǎng)。

  Did doing it on the phone make it more stressful?

  通過(guò)電話采訪有沒(méi)有讓你覺(jué)得壓力更大?

  I'd thought it might...it was all quite informal though and in fact they seemed very keen totalk.

  我本來(lái)以為會(huì)這樣沒(méi)錯(cuò)......但是這些采訪都沒(méi)有那么正式,而且她們事實(shí)上似乎都很愿意談話。

  And I don't think using the phone meant I got less rich data rather the opposite in fact.

  我覺(jué)得用電話采訪并不意味著我收集到的資料就沒(méi)有那么多,實(shí)際上正好相反。

  Interesting. And you were looking at how performers dress for concert performances?

  有意思。你還研究了演奏家在音樂(lè)會(huì)上演出時(shí)的穿著?

  That's right. My research investigated the way players see their role as a musician

  沒(méi)錯(cuò),我研究調(diào)查了演奏者將她們自己定位成音樂(lè)家的方式,

  and how this is linked to the type of clothing they decide to wear.

  以及這和她們決定穿哪種服裝有什么聯(lián)系。

  But that focus didn't emerge immediately.

  但我并不是馬上就想到了這一點(diǎn)。

  When I started I was more interested in trying to investigate the impact of what was worn onthose listening,

  在研究最開(kāi)始的時(shí)候,我對(duì)試著調(diào)查聽(tīng)眾對(duì)她們穿的衣服的效果更加感興趣,

  and also whether someone like a violinist might adopt a different style of clothing from saysomeone playing the flute or the trumpet.

  以及比如一位小提琴家是否會(huì)穿得跟長(zhǎng)笛或者喇叭演奏者不同。

  It's interesting that the choice of dress is up to the individual, isn't it?

  每個(gè)人都有權(quán)選擇他們的服裝這件事還蠻有意思的,對(duì)吧?

  Yes, you'd expect there to be rules about it in orchestras, but that's quite rare.

  是的,我們?cè)疽詾楣芟覙?lè)隊(duì)對(duì)服裝會(huì)有規(guī)定,但是這一現(xiàn)象非常少。

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