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歷年專業(yè)八級(jí)考試英語閱讀真題精選練習(xí)
生活讓人快樂，學(xué)習(xí)讓人更快樂。學(xué)習(xí)中有許許多多的快樂，如果你覺得不是，那就是你平時(shí)一定沒有認(rèn)真學(xué)習(xí)，認(rèn)真學(xué)習(xí)的話，你會(huì)發(fā)現(xiàn)學(xué)習(xí)中蘊(yùn)涵著無窮的快樂。以下是小編為大家搜索整理的歷年專業(yè)八級(jí)考試英語閱讀真題精選練習(xí)，希望對(duì)正在關(guān)注的您有所幫助!更多精彩內(nèi)容請(qǐng)及時(shí)關(guān)注我們應(yīng)屆畢業(yè)生考試網(wǎng)!
歷年專業(yè)八級(jí)考試英語閱讀真題練習(xí) 1
What we know of prenatal development makes all this attempt made by a mother to mold the character of her unborn child by studying poetry, art, or mathematics during pregnancy seem utterly impossible. How could such extremely complex influences pass from the mother to the child? There is no connection between their nervous systems. Even the blood vessels of mother and child do not join directly. An emotional shock to the mother will affect her child, because it changes the activity of her glands and so the chemistry her blood. Any chemical change in the mother’s blood will affect the child for better or worse. But we can not see how a looking for mathematics or poetic genius can be dissolved in blood and produce a similar liking or genius in the child.
In our discussion of instincts we saw that there was reason to believe that whatever we inherit must be of some very simple sort rather than any complicated or very definite kind of behavior. It is certain that no one inherits a knowledge of mathematics. It may be, however, that children inherit more or less of a rather general ability that we may call intelligence. If very intelligent children become deeply interested in mathematics, they will probably make a success of that study.
As for musical ability, it may be that what is inherited is an especially sensitive ear, a peculiar structure of the hands or the vocal organs connections between nerves and muscles that make it comparatively easy to learn the movements a musician must execute, and particularly vigorous emotions. If these factors are all organized around music, the child may become a musician. The same factors, in other circumstance might be organized about some other center of interest. The rich emotional equipment might find expression in poetry. The capable fingers might develop skill in surgery. It is not the knowledge of music that is inherited, then nor even the love of it, but a certain bodily structure that makes it comparatively easy to acquire musical knowledge and skill. Whether that ability shall be directed toward music or some other undertaking may be decided entirely by forces in the environment in which a child grows up.
1. Which of the following statements is not true?
A. Some mothers try to influence their unborn children by studying art and other subjects during their pregnancy.
B. It is utterly impossible for us to learn anything about prenatal development.
C. The blood vessels of mother and child do not join directly.
D. There are no connection between mother’s nervous systems and her unborn child’s.
2. A mother will affect her unborn baby on the condition that ____.
A. she is emotionally shocked
B. she has a good knowledge of inheritance
C. she takes part in all kind of activities
D. she sticks to studying
3. According to the passage, a child may inherit____.
A. everything from his mother
B. a knowledge of mathematics
C. a rather general ability that we call intelligence
D. her mother’s musical ability
4. If a child inherits something from his mother, such as an especially sensitive ear, a peculiar structure of the hands or of the vocal organs, he will ____.
A. surely become musician
B. mostly become a poet
C. possibly become a teacher
D. become a musician on the condition that all these factors are organized around music
5. Which of the following is the best title for the passage?
A. Role of Inheritance. B. An Unborn Child.
C. Function of instincts. D. Inherited Talents.
答案：BACDA
歷年專業(yè)八級(jí)考試英語閱讀真題練習(xí) 2
The tourist trade is booming. With all this coming and going, you’d expect greater understanding to develop between the nations of the world. Not a bit of it! Superb systems of communication by air, sea and land make it possible for us to visit each other’s countries at a moderate cost. What was once the ‘grand tour’, reserved for only the very rich, is now within everybody’s grasp? The package tour and chartered flights are not to be sneered at. Modern travelers enjoy a level of comfort which the lords and ladies on grand tours in the old days couldn’t have dreamed of. But what’s the sense of this mass exchange of populations if the nations of the world remain basically ignorant of each other?
Many tourist organizations are directly responsible for this state of affairs. They deliberately set out to protect their clients from too much contact with the local population. The modern tourist leads a cosseted, sheltered life. He lives at international hotels, where he eats his international food and sips his
international drink while he gazes at the natives from a distance. Conducted tours to places of interest are carefully censored. The tourist is allowed to see only what the organizers want him to see and no more. A strict schedule makes it impossible for the tourist to wander off on his own; and anyway, language is always a barrier, so he is only too happy to be protected in this way. At its very worst, this leads to a new and hideous kind of colonization. The summer quarters of the inhabitants of the cite universitaire: are temporarily reestablished on the island of Corfu. Blackpool is recreated at Torremolinos where the traveler goes not to eat paella, but fish and chips.
The sad thing about this situation is that it leads to the persistence of national stereotypes. We don’t see the people of other nations as they really are, but as we have been brought up to believe they are. You can test this for yourself. Take five nationalities, say, French, German, English, American and Italian. Now in your mind, match them with these five adjectives: musical, amorous, cold, pedantic, native. Far from providing us with any insight into the national characteristics of the peoples just mentioned, these adjectives actually act as barriers. So when you set out on your travels, the only characteristics you notice are those which confirm your preconceptions. You come away with the highly unoriginal and inaccurate impression that, say, ‘Anglo-Saxons are hypocrites’ of that ‘Latin peoples shout a lot’. You only have to make a few foreign friends to understand how absurd and harmful national stereotypes are. But how can you make foreign friends when the tourist trade does its best to prevent you?
Carried to an extreme, stereotypes can be positively dangerous. Wild generalizations stir up racial hatred and blind us to the basic fact—how trite it sounds! – That all people are human. We are all similar to each other and at the same time all unique.
1. The best title for this passage is ___________
[A] tourism contributes nothing to increasing understanding between nations. [B] Tourism is tiresome. [C] Conducted tour is dull.
[D] tourism really does something to one’s country.
2. What is the author’s attitude toward tourism? [A] apprehensive. [B] negative. [C] critical. [D] appreciative.
3. Which word in the following is the best to summarize Latin people shout a lot?
[A] silent. [B] noisy. [C] lively. [D] active.
4. The purpose of the author’s criticism is to point out ___________ [A] conducted tour is disappointing. [B] the way of touring should be changed.
[C] when traveling, you notice characteristics which confirm preconception. [D] national stereotypes should be changed.
5. What is ‘grand tour’ now?
[A] moderate cost.
[B] local sight-seeing is investigated by the tourist organization. [C] people enjoy the first-rate comforts. [D] everybody can enjoy the ‘grand tour’.
Vocabulary
1. superb 卓越的，杰出的，第一流的 2. moderate 中庸的，中等的，適度的
3. grand tour 大旅行，指舊時(shí)英國富家子弟教育中，到歐洲大陸觀光的旅行，為學(xué)業(yè)必經(jīng)階段。
4. package tour 由旅行社代辦而費(fèi)用與路線、日程固定的假日旅游。也可用package holiday。
5. chartered flight 包機(jī)航班
6. set out to do sth. = begin a job with a particular aim 開始做某事，決心/打算做
7. cosset 寵愛，溺愛，縱容
8. conducted tour = guided tour 有人指導(dǎo)/引到下的參觀，有導(dǎo)游的旅游 9. censor 檢查
10. wander off 離開原處/正道，離群，漫步，漫游
11. quarters 住處，營
12. paella 西班牙什錦飯
13. chip 炸馬鈴薯?xiàng)l(土豆條)
14. amorous 多情的，色情的
15. pedantic 學(xué)究式的，賣弄學(xué)問的
16. generalization 歸納，概括
17. stir up 惹起，煽動(dòng)，挑起
18. trite 陳腐的，老一套的
難句譯注
1. What was once the ‘grand tour’, reserved for only the very rich, is now within everybody’s grasp.
【結(jié)構(gòu)簡析】within sb.’s grasp.某人理解/了解，為某人所能抓到的`。 【參考譯文】一度只有最富有者專享的“大旅行”現(xiàn)在人人都可獲得。 2. The package tour and chartered flights are not to be sneered at.
【參考譯文】旅行社包辦的旅游，包機(jī)航班決不會(huì)遭人恥笑。
3. They deliberately set out to protect their clients from too much contact with the local population.
【參考譯文】旅行社有意使他們的谷底和當(dāng)?shù)鼐用裆俳佑|。 4. The modern tourist heads a cosseted sheltered life. 【參考譯文】現(xiàn)代旅行者過的使愛護(hù)有加與世隔絕的生活。
5. Conducted tours to places of interest are carefully censored. 【參考譯文】有人指導(dǎo)下參觀一些靜電收到組織者――旅行社仔細(xì)的檢查核準(zhǔn)。 6. A strict schedule makes it impossible for the tourist to wander off on his own; and anyway, language is always barrier, so he is only too happy to be protected in this way.
【結(jié)構(gòu)簡析】only too + 形容詞/分詞 = very非常。
【參考譯文】嚴(yán)格致密的計(jì)劃值得旅行者不可能自己一個(gè)人到處閑逛;再說，至少語言總是個(gè)障礙，所以他對(duì)這樣保護(hù)非常高興。
7. At its very worst, this leads to a new and hideous kind of colonization. 【結(jié)構(gòu)簡析】at one’s worst 在情況最壞的時(shí)候。
【參考譯文】最糟的時(shí)候，這種保護(hù)會(huì)導(dǎo)致形成一種新型而又可怕的殖民現(xiàn)象。 8. Carried to an extreme, stereotypes can be positively dangerous. 【結(jié)構(gòu)簡析】carried to an extreme (to an excess )如果做得過分。 【參考譯文】如果走向極端，模式化的想法會(huì)非常危險(xiǎn)。
9. Wild generalizations stir up racial hatred and blind us to the basic fact. 【參考譯文】野蠻(亂七八糟)的概括/歸納會(huì)激起種族仇恨，使我們對(duì)這基本事實(shí)視而不見。
答案詳解
1. A。旅游對(duì)增進(jìn)民族了解毫無建樹。第二段開始點(diǎn)出，許多旅游組織直接負(fù)責(zé)旅游事宜，他們有意識(shí)不讓旅游者接觸當(dāng)?shù)鼐用瘢屗麄冞^著一種關(guān)懷備至又與世隔絕的生活。住的是國際飯店，吃的是國際食品，喝的是國際飲料，在原處觀看當(dāng)?shù)鼐用�。�?yán)格有序的計(jì)劃使旅游者難以自己一人閑逛，語言的障礙，又使他們樂意接受保護(hù)。第三段涉及堅(jiān)持民族模式化――老一套的想法，所以一開始旅游，你見到的民族特性就只是證實(shí)了你自己設(shè)想的基本事實(shí)――所有人民都是人類。只有交朋友才能知道民族模式是多么荒謬、有害，可是旅行社竭力制止，你又怎么能交上外國朋友呢?這一切說明A項(xiàng)對(duì)。
B.旅游很累。C.導(dǎo)游觀光很單調(diào)乏味。D.旅游確實(shí)對(duì)國家有貢獻(xiàn)。 2. C。批評(píng)。
3. B。吵吵鬧鬧的。
4. B。旅游的方式應(yīng)改變。整篇文章(除第一段外)都環(huán)繞旅游方式不理想來進(jìn)行批評(píng)。第二段集中在導(dǎo)游觀光使旅游者難以和當(dāng)?shù)厝嗣窠佑|。第三段，見到的只是證實(shí)了旅游者本人事先形成的思想/先入之見，旅游根本達(dá)不到了解對(duì)方的目的。第四段講了民族固定模式(先入之見的模式)的可怕后果。要使人懂得所有的人們都是人類，彼此相似，又各具特點(diǎn)，就得改變旅游的方式。
A.導(dǎo)游觀光令人失望。C.旅游時(shí)，你見到的 特性證實(shí)了你的先入之見。D.民族模式應(yīng)當(dāng)改變。這三條都是批評(píng)的具體內(nèi)容。
5. D。人人都能享受大旅游。大旅行是專指英國富家子弟上學(xué)中的一門課程-到歐洲大陸觀光。不是人人都能享受。這里用grand tour表示人人都能享受類似grand tour的一切，甚至超過，如第一段指出：現(xiàn)代旅游者享受的舒適設(shè)施，達(dá)到了大旅行中老爺、小姐們做夢(mèng)都沒有想到的水平。海陸空高級(jí)交流聯(lián)絡(luò)通訊系統(tǒng)，使人們有可能錢花得不多就能訪問、觀光別的國家。所以說，曾是有錢人專享的大旅行，普通人也能領(lǐng)略�！癵rand tour”有引號(hào)，表明作為比喻。
A.費(fèi)用不高。文內(nèi)是費(fèi)用合適、中等、恰當(dāng)。B.當(dāng)?shù)赜^光受組織審查。C.人們喜歡一流舒適設(shè)施。
歷年專業(yè)八級(jí)考試英語閱讀真題練習(xí) 3
Pageants are usually conceived on a fairly large scale, often under the auspices of some local or civic authority or at any rate in connection with local groups of some kind. This sometimes means that there is an allocation of funds available for the purpose of mounting the production, though unfortunately this will usually be found to be on the meager side and much ingenuity will have to be used to stretch it so that all performers can be adequately clothed.
Most pageants have a historical flavour as they usually come about through the celebration of the anniversary of some event of historic importance, or the life or death of some local worthy. Research among archives and books in the public library will probably prove very useful and produce some workable ideas which will give the production an especially local flavour. From the first economy will have to be practiced because there are usually a great number of people to dress. Leading characters can be considered individually in the same way as when designing for a play; but the main body of the performers will need to be planned in groups and the massed effect must be always borne in mind.
Many pageants take place in daylight in the open air. This is an entirely different problem from designing costumes which are going to be looked at under artificial lighting; for one thing, scenes viewed in the daylight are subject to many more distractions. No longer is everything around cut out by the surrounding darkness, but instead it is very easy to be aware of disturbing movement in the audience of behind the performers. Very theatrically conceived clothes do not always look their best when seen in a daylight setting of trees, verdant lawns and old ivy-covered walls; the same goes for costumes being worn in front of the mellow colors of stately homes. The location needs to be studied and then a decision can be made as to what kinds of colors and textures will harmonize best with the surroundings and conditions and then to carry this out as far as possible on the funds available.
If money is available to dress the performers without recourse to their own help in the provision of items, it is best to arrange for all the cutting and pinning together of the costumes to be done by one or two experienced people than to be given out to the groups and individuals for completion. When there is little or no money at all, the garments need to be reduced to the basic necessities. Cloaks and shawls become invaluable, sheets and large bath towels and bath sheets are admirable for draping. Unwanted curtains and bed spreads can be cut to make tunics, robes and skirts. These are particularly valuable if they are of heavy fabrics such as velvet or chenille.
Colors should be massed together so that there are contrasting groups of dark and light, this will be found to help the visual result substantially. Crowds of people gathered together in a jumble of colors will be ground to look quite purposeless and will lack dramatic impact.
The use of numbers of identical head-dresses, however simply made, are always effective when working with groups. If these are made of cardboard and painted boldly the cost can be almost negligible. Helmets, hats and plumes will all make quite a show even if the costumes are only blandest or sheets cleverly draped. The same can be said of the use of banners, shields and poles with stiff pennants and garlands—anything which will help to have a unifying effect. Any kind of eye-catching device will always go with a flourish and add excitement to the scenes.
1.The main idea of this passage is
[A]. Pageants.[B]. Costumes on the stage.
[C]. Costumes for pageants.[D].How to arrange a pageant.
2.It can be inferred that the most important factor in costume design is
[A]. money.[B]. color.[C]. harmony?[D]. texture
3.Why will much ingenuity have to be required in costume design?
[A]. Because pageants take place in daylight in the open air.
[B]. Because different characters require different costumes.
[C]. Because the colors and textures must be in harmony with the setting.
[D]. Because an allocation of the funds available is usually rather small.
4.Why do most pageants have a historical flavour?
[A]. Because most pageants take place for celebration.
[B]. Many pageants take place for amusement.
[C]. A lot of pageants take place for religion.
[D]. Because pageants usually take place for competition.
答案詳解 1.C. 露天演出的服裝。第一段末尾已經(jīng)點(diǎn)明，“一般認(rèn)為露天演出規(guī)模宏大，常常是由某個(gè)地方或當(dāng)局（民政局主辦贊助），或總是和某個(gè)地方集團(tuán)有關(guān)。這意味著有用于演出目的資金配額，遺憾的是配額一般很少，必須動(dòng)用非常的才能，細(xì)細(xì)的使用資金，所有演員才能窗上恰當(dāng)?shù)姆b�！逼渌鞫胃饔兄攸c(diǎn)，但都是服務(wù)于劇裝這一中心。
A. 露天演出。?B. 舞臺(tái)劇裝（包括劇場(chǎng)）。?D. 如何安排露天演出；涉及面或大或小，不適合。
2.C.和諧。服裝設(shè)計(jì)中最重要的因素是和諧。這一點(diǎn)在幾段中都提到，第二段最后一句“演員的主題必須以群體設(shè)計(jì)，頭腦中必須經(jīng)常記住群體效果�！钡谌巫詈笠痪洹氨仨氀芯垦莩龅牡乩砦恢�，決出什么樣的顏色和織物，能和環(huán)境，條件，達(dá)到最完美和諧�！钡谖宥螌Ｖv顏色搭配，“應(yīng)當(dāng)從總體考慮顏色，這樣才有亮和暗的群體對(duì)比，幫助產(chǎn)生實(shí)感的視覺效果，一群穿著雜七雜八顏色服裝的演員聚集在一起看起來亂哄哄。缺乏戲劇效果�！边@也是和諧之要求。
A. 錢。錢要考慮。出前兩段外，第三段最后一句，講完和諧后，也提到“盡可能以能到手的資金加以實(shí)現(xiàn)這決定�！钡谒亩沃小霸阱X很少或是沒有錢的情況下，服裝得降到基本需要”，下面就講利用被單，浴巾，窗簾做服裝，所以錢在服裝設(shè)計(jì)中很重要，但不能列為最重要因素，有錢沒有錢都得以服裝協(xié)調(diào)為主。?B. 顏色。
D. 織品。同樣都的服從和諧這一前提。
3.D. 因?yàn)槟艿玫劫Y金的配額都很少。第一段最后一句話，見第一題譯注。
A. 因?yàn)樵诠馓旎障卵莩觥?B. 因?yàn)椴煌輪T要求不同服裝。?C. 顏色和織物必須和布景諧調(diào)。這些只是考慮的因素。見上面譯文。
4.A. 因?yàn)榇蠖鄶?shù)露天演出都是為紀(jì)念慶祝。第二段第一句“露天演出一般都是某個(gè)具有歷史意義事件，或者當(dāng)?shù)啬硞�(gè)值得紀(jì)念的人物的誕辰和逝世周年，所以大多數(shù)露天演出都具有歷史紀(jì)念色彩�！�
B. 許多露天演出是為了娛樂。?C. 許多露天演出是為了宗教。?D. 因?yàn)槁短煅莩鲆话闶菂⑴c競(jìng)賽。三項(xiàng)都不對(duì)。
Vocabulary 1.conceive?設(shè)想，想象
to be conceived?設(shè)想好的，構(gòu)思好的
2.under the auspices of?在……的主辦下
3.meager?貧乏的，不足的
4.mount?登上，制作，上演
5.flavour?風(fēng)味，風(fēng)格，情趣
6.archive(s)?檔案（館）
7.distraction?使人分心的事
8.ivy?常春藤
9.mellow?柔和的
10.recourse (to)?依賴，求助于?
11.drape?覆蓋，披上
12.invaluable?無價(jià)的，非常貴重的
13.tunic?（古時(shí)）長達(dá)膝蓋的外衣，穿在盔甲上的戰(zhàn)袍
14.chenille?繩絨絨（織品）
15.jumble?混亂，搞亂
16.pennant?細(xì)長三角旗
17.garland?花環(huán)，花冠
難句譯注 1.This sometimes means that there is an allocation of funds available for the purpose of mounting the production, though unfortunately this will usually be found to be on the meager side and much ingenuity will have to be used to stretch it so that all performers can be adequately clothed.
[結(jié)構(gòu)簡析]復(fù)合結(jié)構(gòu)。That是主句的賓語從句，從句后再有從句。
[參考譯文]這種情況，有時(shí)就表示有一個(gè)可用于演出目的資金配額。遺憾的是配額一般都少而不足，就得動(dòng)用非常之才能細(xì)細(xì)的使用金額，使所有的演員都能穿上合適的戲裝。
2.Most pageants have a historical flavour as they usually come about through the celebration of the anniversary of some event of historic importance, or the life or death of some local worthy.
[結(jié)構(gòu)簡析]主從句
[參考譯文]大多數(shù)露天演出都帶有歷史情調(diào)，因?yàn)檫@些戲一般是通過慶祝某個(gè)重大的歷史事件，或慶祝當(dāng)?shù)啬硞�(gè)值得紀(jì)念的人誕辰或逝世周年而產(chǎn)生的。
3.This is an entirely different problem from designing costumes which are going to be looked at under artificial lighting; for one thing, scenes viewed in the daylight are subject to many more distractions. No longer is everything around cut out by the surrounding darkness, but instead it is very easy to be aware of disturbing movement in the audience of behind the performers.
[結(jié)構(gòu)簡析]復(fù)合結(jié)構(gòu)：主句this is后有定語從句，which修飾costumes。從句中又套從句。
[參考譯文]這和人為燈光下看的設(shè)計(jì)服裝完全不一樣。首先，白天看到幕景易于受許多因素影響，不再能用一片漆黑的環(huán)境把周圍的一切隔開，而是相反，演員后和觀眾中有點(diǎn)紛亂的動(dòng)作，很容易看到。
4.Very theatrically conceived clothes do not always look their best when seen in a daylight setting of trees, verdant lawns and old ivy-covered walls; the same goes for costumes being worn in front of the mellow colors of stately homes.
[結(jié)構(gòu)簡析]并列句，中用分號(hào)隔開。第一句中有when seen 連詞+過去分詞，實(shí)質(zhì)起從句作用。第二句是主從句。
[參考譯文]設(shè)計(jì)出的`非常具有戲劇性效果的服裝，在光天化日，有樹木，有綠茵茵的草地，又有爬滿常春藤的古老圍墻的背景下，經(jīng)�？雌饋硎遣黄鹧郏涸谔没实淖≌闹芤黄蜕{(diào)前，所穿的服裝效果同樣不太好。
5.If money is available to dress the performers without recourse to their own help in the provision of items, it is best to arrange for all the cutting and pinning together of the costumes to be done by one or two experienced people than to be given out to the groups and individuals for completion.
[結(jié)構(gòu)簡析]條件句，主句為邏輯主句，注意中間兩個(gè)被動(dòng)不定式。To be done by, than to be given out, 這里的than起連詞作用。
[參考譯文]如果有錢可以為演員著裝而不用求助自己供應(yīng)種種物件，那么最好把所有的戲裝的裁減和縫制交給一，兩個(gè)有經(jīng)驗(yàn)人去干，而不是讓群體演員和單個(gè)演員去完成。
寫作方法與文章大意 文章論述露天演出的服裝問題，由于露天演出不同于室內(nèi)，劇院內(nèi)演出，要從各個(gè)方面考慮服裝問題，才能獲得應(yīng)有的舞臺(tái)效果。作者從資金多少，地方色彩，露天，白天，顏色搭配等方面來論述服裝。寫法多種，有因果，對(duì)比，舉例等。
歷年專業(yè)八級(jí)考試英語閱讀真題練習(xí) 4
A wise man once said that the only thing necessary for the triumph of evil is for good men to do nothing. So, as a police officer, I have some urgent things to say to good people.
Day after day my men and I struggle to hold back a tidal wave of crime. Something has gone terribly wrong with our once-proud American way of life. It has happened in the area of values. A key ingredient is disappearing, and I think I know what it is: accountability.
Accountability isn’t hard to define. It means that every person is responsible for his or her actions and liable for their consequences.
Of the many values that hold civilization together -- honesty, kindness, and so on -- accountability may be the most important of all. Without it, there can be no respect, no trust, no law -- and, ultimately, no society.
My job as a police officer is to impose accountability on people who refuse, or have never learned, to impose it on themselves. But as every policeman knows, external controls on people’s behavior are far less effective than internal restraints such as guilt, shame and embarrassment.
Fortunately there are still communities -- smaller towns, usually -- where schools maintain discipline and where parents hold up standards that proclaim: “In this family certain things are not tolerated -- they simply are not done!”
Yet more and more, especially in our larger cities and suburbs, these inner restraints are loosening. Your typical robber has none. He considers your property his property; he takes what he wants, including your life if you enrage him.
The main cause of this break-down is a radical shift in attitudes. Thirty years ago, if a crime was committed, society was considered the victim. Now, in a shocking reversal, it’s the criminal who is considered victimized: by his underprivileged upbringing, by the school that didn’t teach him to read, by the church that failed to reach him with moral guidance, by the parents who didn’t provide a stable home.
I don’t believe it. Many others in equally disadvantaged circumstances choose not to engage in criminal activities. If we free the criminal, even partly, from accountability, we become a society of endless excuses where no one accepts responsibility for anything.
We in America desperately need more people who believe that the person who commits a crime is the one responsible for it.
習(xí)題
1. What the wise man said suggests that ________.
[A] it’s unnecessary for good people to do anything in face of evil
[B] it’s certain that evil will prevail if good men do nothing about it
[C] it’s only natural for virtue to defeat evil
[D] it’s desirable for good men to keep away from evil
2. According to the author, if a person is found guilty of a crime, ________.
[A] society is to be held responsible
[B] modern civilization is responsible for it
[C] the criminal himself should bear the blame
[D] the standards of living should be improved
3. Compared with those in small towns, people in large cities have ________.
[A] less self-discipline
[B] better sense of discipline
[C] more mutual respect
[D] less effective government
4. The writer is sorry to have noticed that ________.
[A] people in large cities tend to excuse criminals
[B] people in small towns still stick to old discipline and standards
[C] today’s society lacks sympathy for people in difficulty
[D] people in disadvantaged circumstances are engaged in criminal activities
5. The key point of the passage is that ________.
[A] stricter discipline should be maintained in schools and families
[B] more good examples should be set for people to follow
[C] more restrictions should be imposed on people’s behavior
[D] more people should accept the value of accountability
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