【精華】大學(xué)英語作文匯總十篇

　　在學(xué)習(xí)、工作乃至生活中，大家總少不了接觸作文吧，作文根據(jù)寫作時(shí)限的不同可以分為限時(shí)作文和非限時(shí)作文。為了讓您在寫作文時(shí)更加簡(jiǎn)單方便，以下是小編整理的大學(xué)英語作文10篇，歡迎大家借鑒與參考，希望對(duì)大家有所幫助。

大學(xué)英語作文 篇1

　　In recent years， more and more citizens here would like to travel abroad。 In 1995， the number of people who would like to travel abroad was 10000， which increased to nearly 40000 in 20xx。 And in 20xx， the number further climbed above 12，000。 there are several reasons for the shocking rise。

　　the improvement of the economic conditions is probably the main reason for it。 People do not need to worry about their diet and various other necessities。 After visiting famous scenic spots throughout our country， the citizens’ taste has changed， with support of enough finance。

　　Moreover， enhancement of personal capacity is becoming more and more a requirement for those who want to make GREater success。 With the development of economy and technology， citizens begin to take advantage of different foreign products as well as education。 Since most citizens have got used to their life at home， traveling abroad becomes one of the easiest ways to have direct contact with exotic cultures。

　　Many advantages as traveling abroad may bring to us， it may also bring about many disadvantages。 For instance， there are many elites who have ever traveled abroad may be attracted by the nicer living and researching conditions abroad and thus never return， which is really a pity to our nation。

　　Comparatively speaking， traveling abroad is a serious decision to make。 Maybe， look before you leap is better。

大學(xué)英語作文 篇2

　　模版1

　　It is quite natural for ________to ponder over the question of whether to _______________.

　　Many _________will choose not to______________,generally for three reasons.On the one hand,___________.On the other hand,______________.Most importantly,__________.Nevertheless, oher people adopt a completely different view,thinking that_____________.

　　Moreover, they further argue that___________.

　　From what we have discussed above,we can draw the conclusion that the question quite depends on personal choice.In my own eyes,________.

　　模版2

　　When taking about whether _____________,we will be most surprised to fnd that the present situation is utterly complicated,For one thing ,__________.For another,_________.

　　Three factors,in my point of view,account for this phenomenon.First and foremost,________.Secondly,____________.Last but not least,____________.

　　As far as I am concerned,I firmly believe that____________,only when_____________.

　　模版3

　　A national debate has sprung up on_____________.Many people welcome it with applause and enthusiasm,believing that___________.

　　However, those who strongly oppose the _________are not among the minority.They hold that______________.Moreover,____________.In aword,______________.

　　From my perspective,________should be____________.On the one hand,personally I would argue that_____________.On the other hand,____________.In conclusion,____________.

大學(xué)英語作文 篇3

　　A Letter of Invitation to Be the Judge

　　Dear Professor Smith, I'm Li Ming, chairman of the Student Union.

　　It's a great pleasure to invite you to be the judge for this year's English Drama Contest.

　　As the main organizer of this competition, we have been busy preparing for two months.

　　To our delight, everything has gone smoothly and it is just around the corner.

　　According to the schedule, there will be two rounds.

　　Twenty groups from different departments will compete in the preliminary contest which will be held on the next Saturday night, 7: 00 p. m., in the Student Club.

　　Ten groups will be chosen to take part in the final one week later, at the same time and place as the first round.

　　We heartily hope you can accept our invitation. It will be much appreciated if you can give us a prompt reply.

　　Yours sincerely,

　　Li Ming

大學(xué)英語作文 篇4

　　Just as the saying goes: life is not all roses, all of use will need someone else’ s help to deal with problems that we may encounter in our life. Here comes the question: whom will you turn to for help? Some say they will ask their classmates or friends for help, because they are peers, thus they can understand each other easily.

　　就像俗話說的:生活并不全是玫瑰，方方面面都需要?jiǎng)e人的幫助來解決我們生活中可能遇到的問題。問題來了：你會(huì)向誰求助?有些人說，他們會(huì)向同學(xué)或朋友尋求幫助，因?yàn)樗麄兪峭�齡人，所以他們可以很容易地相互理解。

　　However, others have different choices when in trouble. They are inclined to tell their teachers and parents the difficulties they are faced with. In their opinion, teachers and parents, who are much older than them, can give them a hand with their rich experience.

　　然而，當(dāng)遇到麻煩時(shí)，其他人有不同的選擇。他們傾向于告訴他們的.老師和父母他們所面臨的困難。在他們看來，老師和家長(zhǎng)比他們年長(zhǎng)，可以用他們豐富的經(jīng)驗(yàn)來幫助他們。

　　As for me, close friends are always the people who come to my mind firstly when I am intrigued by something that can not be solved by myself. If we can not figure out a solution by our joint effort, I will go to my teachers or parents for help. With their suggestions or instructions, I can finally find the best way to cope with my troubles.

　　對(duì)我來說，當(dāng)我陷入自己無法解決的事情時(shí)，親密的朋友總是首先出現(xiàn)在我的腦海中。如果我們不能通過我們的共同努力找到解決辦法，我將去找我的老師或父母尋求幫助。有了他們的建議或指示，我終于找到了應(yīng)付我的麻煩的最好辦法。

大學(xué)英語作文 篇5

　　As one of the most bewitching and international cities in China, I strongly recommend you, my dearest friends, to pay a visit to my hometown-Beijing. It is the capital of China for several dynasties over a long period. In the meantime, it has now evolved into the political, cultural and educational center.There are many places of interests here in Beijing, among which the Summer Palace is the most interesting attraction.

　　The Summer Palace is situated in the western outskirts of Beijing, and it is one of the most classical gardens in China, which enjoys a worldwide reputation. The most alluring scenery is Kunming Lake, with an exquisite building in the middle, and it involves three parts which are mainly used as the ancient empresss living quarter.

　　Im sure you can definitely experience the characteristic and traditional culture of China. Hope you could enjoy your trip!

大學(xué)英語作文 篇6

　　there was a bit of a fuss at tate britain the other day. a woman was hurrying through the large room that houses lights going on and off in a gallery, martin creeds turner prize-shortlisted installation in which, yes, lights go on and off in a gallery. suddenly the womans necklace broke and the beads spilled over the floor. as we bent down to pick them up, one man said: perhaps this is part of the installation. another replied: surely that would make it performance art rather than an installation. or a happening, said a third.

　　these are confusing times for britains growing audience for visual art. even one of creeds friends recently contacted a newspaper diarist to say that he had visited three galleries at which creeds work was on show but had not managed to find the artworks. if he cant find them, what chance have we got?

　　more and more of londons gallery space is devoted to installations. london is no longer a city, but a vast art puzzle. net to creeds flashing room is mike nelsons installation consisting of an illusionistic labyrinth that seems to lead to a dusty tate storeroom. its the security guards i feel sorry for, stuck in a fau back room fielding tricky questions about the aesthetic merits of conceptual art simulacra and helping people with low blood sugar find the way out.

　　every london postcode has its installation artist. in sw6 luca vitoni has created a small wooden bo with grass on the ceiling and blue sky on the floor. visitors can enhance the eperience with free yoga sessions. in w2 the serpentine gallery has commissioned doug aitken to redesign its space as a sequence of dark, carpeted rooms with dramatic filmed images of icy landscapes, waterfalls and bored subway passengers miraculously swinging like gymnasts around a cross-like arrangement of four video screens. the gallery used to be stables, you know. not to be outdone, in se1 tate modern has a wonderful installation by juan munoz.

　　at the launch of this years turner prize show, a disgruntled painter suggested that the ice cream van that parks outside the tate should have been shortlisted. this is a particularly stupid idea. where would we get our ice creams from then?

　　what we need is the answer to three simple questions. what is installation art? why has it become so ubiquitous? and why is it so bloody irritating?

　　first question first. what are installations? installations, answers the thames and hudson dictionary of art and artists with misplaced self-confidence, only eist as long as they are installed. thanks for that. this presumably means that if the ice cream van man took the handbrake off his installation van no1, it wouldnt be an installation any more.

　　the dictionary continues more promisingly: installations are multi-media, multi-dimensional and multi-form works which are created temporarily for a particular space or site either outdoors or indoors, in a museum or gallery.

　　as a first stab at a definition, this isnt bad. it rules out paintings, sculptures, frescoes and other intuitively non-installational artworks. it also says that anything can be an installation so long as it has art status conferred on it (your flashing bulb is not art because it hasnt got the nod from the gallery, so dont bother writing a funny letter to the paper suggesting it is). the important question is not what is art? but when is art?

　　the only problem is that this definition also leaves out some very good installations. consider richard wilsons 20:50. it consists of a lake of sump oil that uncannily reflects the ceiling of the gallery. spectators penetrate this lake by walking along an enclosed jetty whose waist-high walls hold the oil at bay. this 1987 work was originally set up in matts gallery in east london, through whose windows one could see a bleak post-industrial landscape while standing on the jetty. the installation, awash in old engine oil, could thus be taken as a comment on thatcherite destruction of manufacturing industries. then something very interesting happened. thatchers ad man charles saatchi put 20:50 in his windowless gallery in west london, depriving it of its contet. but the thames and hudson definition does not allow that this 20:50 is an installation because it wasnt created for that space. this is silly: it would be better to say there were two installations - the one at matts and the other at the saatchi gallery.

　　or think about damien hirsts in and out of love. in this 1991 installation, butterfly cocoons were attached to large white canvases. heat from radiators below the cocoons encouraged them to hatch and flourish briefly. in a separate room, butterflies were embalmed on brightly coloured canvases, their wings weighed down by paint. the spectator needed to move around to appreciate the full impact of the work. unlike looking at paintings or sculptures, you often need to move through or around installations.

　　what these two eamples suggest to me is that we are barking up the wrong tree by trying to define installations. installations do not all share a set of essential characteristics. some will demand audience participation, some will be site-specific, some conceptual gags involving only a light bulb.

　　installations, then, are a big, confusing family. which brings us to the second question. why are there so many of them around at the moment? there have been installations since marcel duchamp put a urinal in a new york gallery in 1917 and called it art. this was the most resonant gesture in 20th century art, discrediting notions of taste, skill and craftsmanship, and suggesting that everyone could be an artist. futurists, dadaists and surrealists all made installations. in the 1960s, conceptualists, minimalists and quite possibly maimalists did too. why so many installations now? after all, two of this years four turner prize candidates are installation artists.

　　american critic hal foster thinks he knows why installations are everywhere in modern art. he reckons that the key transformation in western art since the 1960s has been a shift from what he calls a vertical conception to a horizontal one. before then, painters were interested in painting, eploring their medium to its limits. they were vertical. artists are now less interested in pushing a form as far as it will go, and more in using their work as a terrain on which to evoke feelings or provoke reactions.

　　many artists and critics treat conditions like desire or disease as sites for art, writes foster. true, photography, painting or sculpture can do the same, but installations have proved most fruitful - perhaps because with installations the formalist weight of the past doesnt bear down so heavily and the artist can more easily eplore what concerns them.

　　why are installations so bloody irritating, then? perhaps because in the many cases when craftsmanship is removed, art seems like the emperors new clothes. perhaps also because artists are frequently so bound up with the intellectual ramifications of the history of art and the cataclysm of isms, that those who are not steeped in them dont care or understand. but, ultimately, because being irritating need not be a bad thing for a work of art since at least it compels engagement from the viewer.

　　but irritation isnt the whole story. i dont necessarily understand or like all installation art, but i was moved by double bind, juan munozs huge work at tate modern. a false mezzanine floor in the turbine hall is full of holes, some real, some trompe loeil and a pair of lifts chillingly lit and going up and down, heading nowhere. to get the full impact, and to go beyond mere illusionism, you need to go downstairs and look up through the holes. there are grey men living in rooms between the floorboards, installations within this installation. its creepy and beautiful and strange, but you need to make an effort to get something out of it.

　　the same is true for martin creeds lights going on and off, though i didnt find it very illuminating. my work, says martin creed, is about 50% what i make of it and 50% what people make of it. meanings are made in peoples heads - i cant control them.

　　its nice of creed to share the burden of significance. but sadly for him, few of the spectators were making much of his show last week. his room was often deserted, but the rooms housing isaac juliens boring films and richard billinghams dull videos were packed. maybe creeds aim is to drive people away from installation art, or maybe he is just not understood. whatever. the lights were on, and sometimes off, but nobody was home.

大學(xué)英語作文 篇7

　　Disney films are very successful. The films are produced in high quality and bring children a lot of fun. Since the fairy tales are brought into the screen, Disney company creates dreams for children and they become one of the most famous companies. Walt Disney starts it with Micky Mouse.

　　迪斯尼電影是非常成功的。電影的質(zhì)量很高，給孩子們帶來了很多樂趣。自從童話故事搬上了熒幕，迪斯尼公司就開始為兒童造夢(mèng)，公司也成為最著名的公司之一。華特迪士尼從米老鼠開始了這一切。

　　Micky Mouse is the most classic cartoon character of Disney films. Since it came into being, it was favored by people soon. Micky Mouse is not exactly like a real mouse. It stands on two feet and wears white gloves on its hands. In the cartoon, Micky Mouse plays tricks all the time and makes people laugh out loudly. With the success of Micky Mouse, Walt Disney draws many cartoon characters to join the family, like Minnie, Donald Duck and Pluto.

　　米老鼠是迪斯尼電影里最經(jīng)典的卡通人物。自其誕生以來就受到了人們的青睞。米老鼠并不完全像普通的'老鼠，它兩腳站立，手上戴著白色手套。在卡通電影里，米老鼠總是在搗蛋，讓人忍不住大聲笑出來。隨著米老鼠的成功，華特迪斯尼畫了許多其他卡通人物加入這個(gè)家庭，比如：米妮，唐老鴨和布魯托。

　　Walt Disney created Micky Mouse with the inspiration in his working place. At that time, he and his co-worker worked in an old building and the mice often ran out and in of the building, so he came up with the idea to draw such lovely image. Since then, the childen found their friend, and Micky Mouse grew up with them.

　　華特迪斯尼創(chuàng)造米老鼠的靈感來源于他的工作地點(diǎn)。在那個(gè)時(shí)候，他和他的同事在一個(gè)古老的房子里工作，老鼠經(jīng)常跑進(jìn)跑出，于是他有了靈感，畫出如此可愛的形象。從那時(shí)起，孩子們找到了自己的朋友，和米奇老鼠一起成長(zhǎng)。

大學(xué)英語作文 篇8

　　Getting to Know the World Outside the Campus

　　Apart from acquiring book knowledge, university students should also A have social knowledge. Without social awareness they can not be useful talents qualified fur social needs. Therefore, it is necessary fur them to know society.

　　To acquire social knowledge, students should get close to society. There are many ways for students to approach society, but generally they can be listed as follows. First, they can conduct a survey of society in summer or winter holidays by going to the factory or the countryside. Besides, they can do part-time work in society. Most important of all, they can know the world outside the campus through mass media such as newspaper, TV, broadcast and even Internet.

　　As to me, I consider it most convenient and effhctive to know society by watching TV. I also find it beneficial to do part-time work because through the work I get in touch with people from all walks of life.

　　標(biāo)題：了解外面世界的安貿(mào)易

　　內(nèi)容：了解外部世界的Campus1.獲取書本知識(shí)。大學(xué)生了解社會(huì)的必要性。2.了解社會(huì)的途徑（大眾媒介，服務(wù)等）。3.我打算怎么做外，大學(xué)生也應(yīng)該有社會(huì)知識(shí)。沒有社會(huì)意識(shí)，他們不能合格的'有用之材毛皮社會(huì)需要。因此，有必要讓他們知道毛皮社會(huì)。

　　為了獲得社會(huì)的知識(shí)，學(xué)生應(yīng)該接近社會(huì)。有很多方法讓學(xué)生接觸社會(huì)，但他們一般可以列舉如下。首先，它們可以進(jìn)行社會(huì)在夏天或冬天調(diào)查，到工廠或農(nóng)村的假期。此外，他們可以做兼職工作，在社會(huì)上的時(shí)間。最重要的，也可以知道通過大眾媒體，如報(bào)紙，電視，廣播和互聯(lián)網(wǎng)，甚至在校園外的世界。

　　至于我，我認(rèn)為這是最方便和effhctive知道通過看電視的社會(huì)。我也覺得這樣做是有益的部分，因?yàn)橥ㄟ^我的工作接觸與社會(huì)各階層人士的工作時(shí)間。

大學(xué)英語作文 篇9

　　since the reform and open-up policy was adopted in china in 1978, more and more private schools have come into eistence. in the past few decades, it was only the state that could run schools. schools can now be ran not only by the state, bat also by various organizations oreven persons as well.

　　private schools become more and more popular and they stimulate the education system to further improvement. those schools have much more authoiity nowadays than before. they raise funds by themselves and assume the sole responsibility, for their profits or losses. therefore, they will relieve tile burden of the state. moreover, the parents of the students show more concern about schools. more qualified teachers and better learning environment are needed. to meet their requirement, schools have to strengthen their teaching and administration.

　　on the other hand, private schools also have some problems that need to be solved. for eample, the tuition is always too high for average families to pay. in addition, we can＇t deny the fact that some private schools give priority to profits and they neglect the quality of their teaching.

　　to sum up, every coin has its two sides, and the same is true of private schools. we should make the best use! of its merits and do our best to minimize its defects, thus encouraging the private schools to de velop to its biggest etent.

大學(xué)英語作文 篇10

　　It is nothing new that many students go to take after-school classes now, but in my opinion, it’s just a waste of time and money. When I was in primary school, my parents sent me to different kinds of these classes, too. But later I realized I didn’t want to do that anymore. I began to spend more time on reading, doing sports and taking social activities. However, I didn’t fall behind any others in study.

　　現(xiàn)如今，學(xué)生去參加補(bǔ)習(xí)班不是什么新鮮事了。但在我看來，這既浪費(fèi)時(shí)間又浪費(fèi)錢。我還在讀小學(xué)時(shí)，我的父母就經(jīng)常送我去不同的補(bǔ)習(xí)班補(bǔ)習(xí)。但后來我意識(shí)到我不想去了。于是，我開始把時(shí)間花在閱讀、運(yùn)動(dòng)和社會(huì)活動(dòng)上面。但是，我的成績(jī)并沒有落下。

　　If I have time, I will play basketball with my friends. It’s a wise way to stay in good health. I really enjoy it. Through playing basketball, I know how to cooperate with others, and I make a lot of friends, too. What’s more, I become stronger and taller. I have benefited a lot from it. And now I become more creative and confident than those who are always involved in taking after-school classes. I think students should spend more time on doing the things they like instead of going to after-school classes, thus we can live happier.

　　如果我有時(shí)間，我就會(huì)和朋友打籃球。這是保持好身體的.方法。我很喜歡籃球。通過打籃球，我學(xué)到了如何與他人合作，也結(jié)交了許多朋友。我從中收益很多�，F(xiàn)在，我比參加補(bǔ)習(xí)班的時(shí)候更具有創(chuàng)新力、更自信了。我想學(xué)生應(yīng)該花

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