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2017年英語(yǔ)專業(yè)八級(jí)考試模擬預(yù)測(cè)練習(xí)題
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As Michael Jackson made the unfortunate transition from pop-music icon to tabloid staple，one of the most common lines of attack was on his ever-changing appearance, the way his skin dramatically lightened in color, and his face altered in structure.
What's most tragic about Jackson's death, aside from the fact that it comes as he was mounting a comeback to include a sold-out 50-show residence at London's 02 Arena，is that what people will remember about him is his changing face. What they should remember：The way he changed the face of pop music.
Jackson first came to prominence as the pint-size nucleus of his family band, the Jackson 5. He quickly became the focal point of the group because of his popular cuteness and, of course, that voice. What was so remarkable about the young Michael was his ability to communicate youthful innocence’ or premature wisdom, or sometimes both at the same time. It was no small feat for the same preteen to credibly deliver shrewd stories of love and loss like “I Want You Back" and "The Love You Save", as well as he carried off cutesy soul ditties like “ ABC" and "Rockin' Robin". He led the group to four No. 1 singles.
But his watershed moments came after he came out of his awkward teenage years. At 20, Jackson starred in the film version of The Wiz, at which point he met Quincy Jones, who agreed to produce his fifth solo album, Off the Wall. The record was a mature, sexy blend of pop soul with a heavy, danceable disco groove. Having spent his earlier years trying to straddle vocal adolescence，he effortlessly became an adult. It certainly helped that Jackson was so adept at using that voice, and that he had a set of amazing songs to work with, among them "Don't Stop Til You Get Enough" and “Rock With You", in which Jackson sings lyrics that perfectly describe his own gifted footwork："When you dance, there's a magic that must be love.“
As stunning an artistic statement as Off the Wall was, it did little to prepare anyone for the cultural phenomenon that was his subsequent album, Thriller. Jackson’s goal was to create an album in which every song was a hit. He didn't quite accomplish that, but he did create a classic pop album that fans zealously snatched up (to the tune of an estimated 100 million copies worldwide to date) and that solidified his status as the King of Pop. Debate still rages about whether Off the Wall or Thriller is stronger as an album. But the sea change Jackson created with Thriller had less to do with the music than with the medium.
At the height of MTV, Jackson became the first black artist to create a fan base using his image rather than in spite d it. His grasp of performance and presentation remains without parallel.
Jackson's subsequent albums failed to reach the heights of Thriller. But Jackson retained his knack for spectacle. Every music video he released was a major event, which is why MTV's lifetime-achievement statue at its annual awards show still bears his name. As a singer, as a songwriter, as a performer, as a dancer, Jackson remains among the most gifted ’ imaginative ’ larger-than-life musician of any race that has ever come along. Whatever changed about him over the years, that certainly didn't.
1. According to Paragraph Two, which of the following is NOT true aboul Jackson's tragic death?
[A] He had been busy preparing for his comeback shows before he died. [B] The tickets to his comeback shows had been sold out before he died. [C] His ever-changing appearance had negative effects on him. [D] People don't remember the way he changed the face of pop music.
2. Which of the following is true about Jackson's songs mentioned in this passage?
[A] "I Want You Back", "The Love You Save", "ABC" and "Rockin' Robin" were the four No. 1 singles of Jackson 5.
[B] Jackson failed to convey the meaning trf love and loss in the songs "I Want You Back" and "The Love You Save".
[C] "Don't Stop Til You Get Enough" and "Rock With You" were from Off the Wall, which was his first solo album.
[D] Jackson's wonderful dancing skills were vividly described in the lyrics of “ Rock With You".
3. "Straddle" in Paragraph Four can be best replaced by
[A] deal with. [B] get over. [C] avoid. [D] end.
4. Which of the following can be inferred from Paragraph Five?
[A] Every song in Thriller was a success.
[B] Thriller was more successful than Off the Wall.
[C] Jackson had already been recognized as the King of Pop before Thriller. [D] Some of Jackson's fans still minded his image as a black person.
5. The tone of the passage can be best described as
[A] commendatory. [B] derogatory. [C] critical. [D] neutral.
2009年6月25日.美國(guó)“流行天王”邁克爾•杰克遜在洛杉礬突發(fā)心臟病離世,終年50歲。盡管關(guān)于他的負(fù)面報(bào)道比比皆是,但這些都無(wú)法抹煞他在流行樂壇取得的成就和撼動(dòng)他的天王地位。他是音樂史上第一位在羑國(guó)以外賣出上億張唱片的藝術(shù)家。他魔幻般的舞步更是讓無(wú)數(shù)明里效仿。
答案解析
l.[D]事實(shí)細(xì)節(jié)題。第二段最后一句說(shuō)人們"應(yīng)該記住的是他改變流行音樂面孔的方式“，因此選[D]。第二段第一句指出,杰克遜生前正籌劃著復(fù)出,包括要在倫敦02體育館駐唱50場(chǎng),那時(shí)門票已全部預(yù)售完,因此排除[A]、[B];第一句指出,關(guān)于他的死最悲哀的一點(diǎn)在于人們記住的將是他不斷改變的容貌，故排除[C].
2-[D]事實(shí)細(xì)節(jié)題。由第四段進(jìn)后一句得知,〈與你共舞》的耿詞完美描述了他的天才舞步,因此[D]正確;第三段最后一句提到杰克遜率領(lǐng)“杰克遜五兄弟"演唱組創(chuàng)下四首冠軍單曲,但并未表明是哪四首,故排除[A];由第三段第三、四句得知,杰克遜展現(xiàn)出一種早熟的'聰慧，能夠?qū)叟c失去的深刻意義表達(dá)出來(lái).故排除[B];由第四段第二句得知是他的第五張個(gè)人專輯,故排除[C].
3.[B]語(yǔ)義理解題。根據(jù)題干提示定位在第四段。這一段講的是杰克遜人生的轉(zhuǎn)折點(diǎn),而這個(gè)轉(zhuǎn)折點(diǎn)是他“度過(guò)了青澀的青春期”后才來(lái)到的,這是第一句的內(nèi)容，再結(jié)合第四句straddle后面的“變聲期",可以推斷straddle應(yīng)該有“跨越,度過(guò)”的意思,只有[B]最合適。
4.[C]推理判斷題。根據(jù)題干提示定位在第五段。由第三句中solidified—詞可知，《顫栗》鞏固了杰克遜流行天王的地位，由此可見.在< 顫栗》之前他已經(jīng)是流行天王了,故[C]是答案;由第二、三句得知,杰克遜本想創(chuàng)造一張每首歌受歡迎的專輯,但他沒做到這一點(diǎn),排除[A];第四句提到至今有關(guān)(瘋狂>和(顫栗》這兩張專輯究竟哪張更好的爭(zhēng)論仍在進(jìn)行,排除[B];倒數(shù)第二句提到杰克遜成為第一個(gè)憑借自身形象吸引了大批耿迷的黑人藝人,可見歌迷并不在意他的黑人形象,排除[D]。
5-[A]觀點(diǎn)態(tài)度題。本文作者回顧了杰克遜的成名之路以及他在流行樂壇創(chuàng)造的輝煌成績(jī),關(guān)于他的負(fù)面報(bào)道和評(píng)論只是一帶而過(guò),因此判斷作者對(duì)于杰克遜是褒揚(yáng)的,故答案是[A];[B] “貶低的"、[C]"批判的”、[D] “中立的”都不正確。
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